the greatest empire that never was
246 pages
English language
Published Dec. 24, 2003 by Small Beer Press.
From publishers webpage:
In eleven chapters, Kalpa Imperial's multiple storytellers relate the story of a fabled nameless empire which has risen and fallen innumerable times. Fairy tales, oral histories, and political commentaries are all woven tapestry-style into Kalpa Imperial: beggars become emperors, democracies become dictatorships, and history becomes legends and stories.
Kalpa Imperial is much more than a simple political allegory or fable. It is also a celebration of the power of storytelling. Gorodischer and Le Guin are a well-matched, sly and delightful team of magician-storytellers. Rarely have author and translator been such an effortless pairing. Kalpa Imperial is a powerful introduction to the writing of Angélica Gorodischer, a novel that will enthrall readers already familiar with the worlds of Ursula K. Le Guin.
Kalpa Imperial was published by Small Beer Press in 2003.
From publishers webpage:
In eleven chapters, Kalpa Imperial's multiple storytellers relate the story of a fabled nameless empire which has risen and fallen innumerable times. Fairy tales, oral histories, and political commentaries are all woven tapestry-style into Kalpa Imperial: beggars become emperors, democracies become dictatorships, and history becomes legends and stories.
Kalpa Imperial is much more than a simple political allegory or fable. It is also a celebration of the power of storytelling. Gorodischer and Le Guin are a well-matched, sly and delightful team of magician-storytellers. Rarely have author and translator been such an effortless pairing. Kalpa Imperial is a powerful introduction to the writing of Angélica Gorodischer, a novel that will enthrall readers already familiar with the worlds of Ursula K. Le Guin.
Kalpa Imperial was published by Small Beer Press in 2003.
lo leí en el original, y no la traducción al inglés de Ursula Le Guin, pero aún así sentí algo de ella en el tono del prose, y también algo borgesiano en la fantasia fuera-del-tiempo
Some books that you stumble upon ends up punching you in the guts, others do not. This book was of the latter category, but I still think it should've been the former, much so based on that I like the works of the translator, Ursula K. LeGuin.
As a part of my job I support unemployed persons that have internships at my organization, among them at a few of the charity shops that we run. It was while browsing the bookshelves during a slow hour that I came upon Kalpa imperial. It seemed like my kind of book, and I still think it is.
I think I understand what the author wanted to do, and I think it is clever. She sketches the history of an empire, follows its many rulers , their surge, their downfall, internal and external strife; and how the empire and its society …
Some books that you stumble upon ends up punching you in the guts, others do not. This book was of the latter category, but I still think it should've been the former, much so based on that I like the works of the translator, Ursula K. LeGuin.
As a part of my job I support unemployed persons that have internships at my organization, among them at a few of the charity shops that we run. It was while browsing the bookshelves during a slow hour that I came upon Kalpa imperial. It seemed like my kind of book, and I still think it is.
I think I understand what the author wanted to do, and I think it is clever. She sketches the history of an empire, follows its many rulers , their surge, their downfall, internal and external strife; and how the empire and its society adapts during its history, sometimes needing to start over. In some ways this resembles the setup of LeGuin's Hainish cycle books: It allows the author to write a whole bunch of separate stories, laying out the workings of very dissimilar societies; while still linking them together and setting them in the same universe. While the Hain books are distinct volumes (usually, not always) being collected in the same binding it creates different expectations. I wish I had known this from the beginning, and probably should've researched it a bit more.
For at least the first two-thirds of the book I kept looking for linkages between the action and the characters in the different chapters. That names kept changing between chapters and wasn't names common in my everyday gave me the feeling that I always missed something, that I should recognize this or that character from before. To my knowledge there was no repeating characters (but may have missed some), though a few characters was mentioned later in the book.
I found this frustrating, but mostly due to my own expectations, and probably also reading it when I wasn't in the right frame of mind. Reading a few pages in the evening when I was already exhausted wasn't optimal. I think this book demands more focus. I read the last fifty pages on a day off when both partner and child was off for other adventures and that worked better.
A better way for me to treat the book would probably be as a collection of short stories set in the same setting; with the opportunity both to look at particulars and the long temporal lines. I suspect the book is good, but it didn't work for me right now. I'll keep it with the intention of getting back to it in a year or so.
