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English language

Published April 22, 2022 by Transworld.

4 stars (5 reviews)

Everybody knows there's no such thing as a female wizard. So when the wizard Drum Billet accidentally passes on his staff of power to an eighth daughter of an eighth son, a girl called Eskarina (Esk, for short), the misogynistic world of wizardry wants nothing to do with her. Thankfully Granny Weatherwax, the Discworld's most famous witch, has plenty of experience ignoring the status quo. With Granny's help, Esk sneaks her way into the magical Unseen University and befriends apprentice wizard Simon. But power is unpredictable, and these bright young students soon find themselves in a whole new dimension of trouble. Let the battle of the sexes begin...

22 editions

Fantastic - Sir Terry really finding his style. Finally we meet Granny Weatherwax!

5 stars

Fantastic. Loved this one.

I think it's the third one in the Discworld series, chronologically, but it's the first one where I feel Sir Terry's true style became apparent.

In this novel, we meet for the first time Granny Weatherwax - probably my favourite Discworld character. Yes, there are many fantastic characters, but Granny Weatherwax always occupies a soft spot for me.

We learn about Borrowing, and how Granny can't Borrow bees; we encounter Headology - how people will believe certain things and words can prod them in the right direction.

The story itself is great - about a young girl, supposed to have been the eighth son of an eighth son - and therefore a wizard - she was in fact born a girl. So she inherits wizard magic in her genes, yet her genes do not match her physical appearance nor the way society treats her as a …

A fine book about ecology

4 stars

I think it’s on the opposite side of the spectrum from Clarke’s “Piranesi” — and I like Pratchett’s viewpoint more: Clarke’s magic is desired and unreachable for those who seek it, so it’s a character of its own; Pratchett’s Esk postulates that not using magic when it’s there in your hands can be more important than using it, and that’s goes further than just admitting of its agency, it adds a very important nuance: whose agency is more of the liability to the living.

More literally Pratchett’s ecology is delivered in passages about Borrowing and things’ names and minds (Granny’s goats, and rocks of the University), but magic is the ultimate example of goals and means being one thing.