The groundbreaking trans-genre work of Argentinean writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Writing that is multi-layered, self-referential, elusive, and allusive is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' ficciön "The Library of Babel," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.
This revised edition of Labyrinths, a representative selection …